Albert Steiner
Winter morning near Inner-Arosa
yeah ive been feeling really normal recently <-is a sinkhole, an empty lock, a stuffed animal on the ground of a bedroom etc etc etc
Remi Kanazi, from Before the Next Bomb Drops: Rising Up from Brooklyn to Palestine; “Lit up”
[Text ID: “not enough space in a poem / to read all the names / of the dead”]

Floral Cut Biscuit Jar by CutCrystal
David McLeod Martin (1922 - 2018)
Resting Siamese and Lillies
Bokuyō Katayama, The Forrest, 1928
Showa Era

Bridge over the river Uvac, Žvale (1975)
The bridge over the Uvac river is today at the bottom of the Uvac lake. Thankfully, the remains were preserved and protected before the immersion. (Hi-Res)
Multiple protestors calling for a ceasefire interrupt Senator Anthony Blinken during a Senate hearing in which he discussed giving $14.3 billion in aid to Israel (via NBC)
i go to the dog fight and see what dog mitski is betting on so i can bet on the other one
a classic recording. Worth listening to for a number of reasons: musically, historically and of course as something small on the course that will win.
Listen on YouTube here
The liner notes here
[ID: An album titled :فلتيا فلسطين: أناشيد من كفاح بشعب فلسطين"
Palestine Lives! Songs from the struggle of the people of Palestine.“
A flowing, abstract, sketchy illustration in white on a grey background shows a caged bird; an uplifted woman’s face shown in profile with hair that flows to become another woman’s head covering, and then a barbed wire fence; a plant shooting straight up; and various abstract shapes in positive and negative space. Text at the top left reads "Paredon P-1022”; text at the bottom left reads:
“فيا أني: أ كفاني”
Next image is a screenshot of text reading ’“What you hear on this record is an echo—the echo of a very important phase in the long struggle of the people of Palestine.” So writes Kamal Boullata in the liner notes to this 1974 recording, spoken (in English) and sung (in classical and colloquial Arabic) by members of the Palestinian Liberation Movement following the Six-Day War of 1967. The liner notes contain a history of the Palestinian people, background on the singers and the genesis of the songs, lyrics in Arabic and English, several of Boullata’s line drawings, and a glossary.’
Final image is printed text on a page reading "In the future, when it will be of little use to the victims, the world will undoubtedly correct its bizarre and outrageous misjudgement of the Palestinian situation. In the future, historians and sociologists and psychologists will find reasons to explain not simply how an injustice came to be perpretrated against an entire people – for this is common – but also how the victims came to be seen as the aggressors, and their aggressors as the victims.” End ID]
long overdue for a scream in the woods

















